DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, with this big difference: Buster looks a plausible mate, plus the Tramp barely seems to have a libido, only idealized notions. If their comedies were manufactured in a far more liberated time, it is achievable to imagine Keaton in bed with a girl, but disquieting to think about the Tramp like a sexual currently